Book->Film

Some great books have been made into wonderful films. Some have suffered greatly in the transition from page to screen. Here’s my take in no particular order, what’s yours?

Great book, great film

  • The English Patient. Michael Ondaatje’s gorgeous prose was translated into vividly haunting imagery, and all the actors were excellent.
  • Pride and Prejudice. The BBC TV series with Colin Firth as Darcy, of course.
  • Winter’s Bone by Daniel Woodrell. Jennifer Lawrence stars in the film by Debra Granik.
  • The Wife. Book by Meg Wolitzer. The film’s plot is a bit simplified from the book, but Glenn Close carries the film.
  • Brokeback Mountain. Deeply atmospheric story by Annie Proulx, gorgeous film by Ang Lee.
  • A Flight of Pigeons/Junoon The Ruskin Bond book made into a film by Shyam Benegal
  • The Last Picture Show — the film captured the ethos of Larry McMurtry’s smalltown Texas very well, and launched the careers of several actors.
  • Atonement? I need to reread the book to be sure, but the movie had some memorable scenes.
  • Tinker Tailor Soldier Spy – with Alec Guiness as George Smiley.
  • Holes. Louis Sachar’s book is one of the best young-adult adventure stories out there, and the film was spot on.
  • Slow Horses Mick Herron’s books and the TV series are both such fun.
  • All the President’s Men Even if the story was compressed in the movie, it captured the thrill of the Watergate affair and made typewriters seem exciting. And for once, the good guys came out ahead.
  • Stand by Me. Short story by Stephen King made into a lovely coming-of-age film.

Great book -> Disastrous film/TV

  • All the Light We Cannot See. A complex and nuanced Pulitzer-winning book about a German soldier and a blind French girl in WWII was converted into a ludicrously simplistic Netflix TV drama with cartoonishly evil Nazis and nobly brave Frenchpeople. Set in a small town on the French coast, everyone spoke English in the film (made in 2024!). At least the Germans had German accents, while the ‘French’ spoke in a hilariously inconsistent mix of propah British and American accents.
  • The Hobbit. Tolkien’s delightful short prologue to the Lord of the Rings saga, made into an endless tedious (3 long movies!) saga. Pretty but pointless, even with Martin Freeman as Bilbo Baggins. Self-indulgence by the director Peter Jackson.

Terrible book -> good film

An unlikely category on the face of it, but I guess it’s a testament to scriptwriters!

  • The Bourne Identity. I challenge anyone to make it all the way through the turgid prose of the book, but the film pulled some actual plot from that mess, and is taut and well acted.
  • The Devil Wears Prada but only because Meryl Streep ruled the film from that first entrance stepping off the elevator.
  • The Godfather? The prose is kind of plodding and full of uninteresting tangents, but the Coppola movie is very good.

Agree? Disagree?

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